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Many free jazz musicians, notably Pharoah Sanders and John Coltrane, used harsh overblowing or other techniques to elicit unconventional sounds from their instruments, or played unusual instruments.

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Free jazz is an approach to jazz music that was first developed in the 1950s and 60s as musicians attempted to alter, extend, or break down jazz convention, often by discarding fixed chord changes or tempos.

The atonality of free jazz is often credited by historians and jazz performers to a return to non-tonal music of the nineteenth century, including field hollers, street cries, and jubilees (part of the “return to the roots” element of free jazz).

This suggests that perhaps the movement away from tonality was not a conscious effort to devise a formal atonal system, but rather a reflection of the concepts surrounding free jazz.